IPA Blog

SCCR 35 opened on a windy but bright Monday morning at the WIPO offices in Geneva, Switzerland. In his introductory speech, WIPO Director-General Francis Gurry addressed the importance of multilateralism in a time when politicians’ perspectives are increasingly shifting from the international arena to a predominantly national orientation. New SCCR
Beijing International Book Fair this year (23-27 August) was as lively as ever, due in part to the significant overseas contingent taking part. Of 2,400 exhibitors, 800 were non-Chinese, coming from 89 countries.
By Jessica Saenger *,   edited by Ben Steward. The ‘homocleansing’ of the Russian edition of Victoria Schwab’s Shades of Magic series offers a topical hook on which to hang the publishers’ dilemma about duty to authors and their duty to stay in business. This month the hit American author tweeted her outrage at learning that her Russian p
By André Myburgh*. Ostensible reassurances about the benefits of the introduction of ‘fair use’ in South African copyright law (Why fears about ‘fair use’ copyright law are unfounded) need deeper scrutiny.
I recently had a chance to visit Dhaka to meet the IPA’s member there, the Academic and Creative Publishers Association of Bangladesh (ACPAB).
Earlier this month I visited New Delhi for the first time, to discuss with our Federation of Indian Publishers (FIP) colleagues the preparations for the 32nd IPA Congress, on 10-14 February, 2018. 
Whether we like it or not, self-censorship is the new normal in most countries in Asia, from the Middle East to the Far East. But how did this happen?
This week I was in San José, Costa Rica, for a WIPO workshop on the Marrakesh Treaty (…to Facilitate Access to Published Works by Visually Impaired Persons and Persons with Print Disabilities), and the Accessible Books Consortium (ABC), on 13-15 June. 
Delegates at the World Intellectual Property Organization (WIPO) in Geneva spent this week discussing (for the 34th time) how to provide adequate intellectual property protection for the ‘traditional knowledge’ that is typically part of the cultural heritage of indigenous peoples.
Occasionally, copyright and the rights of disabled people are framed as somehow incompatible—as though the former may preclude the latter—but to my mind these rights are definitely not mutually exclusive.

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