IPA Blog

Just recently, one year after being elected Vice-President of IPA, I was pleased to celebrate another IPA General Assembly during the Frankfurt Book Fair. Read the annual report here.

Apart from conducting meetings all week with delegates of Members States, the IPA team has also been busy meeting with the Genevan Ambassadors of key countries. Sometimes we do so to thank them for their support and at other times we do so to quiz them about their positions when they undermine their own local publishers and creators. It’s always good to let our allies know that we appreciate them, and it’s equally important to let the other side know that we are listening to what they say and that, if we disagree, we are always ready and willing to explain our own positions.

On a grey and gloomy Genevan winter’s day, the IPA team plus our Creative Sector colleagues trooped into early morning meetings first with the Africa Group of WIPO Members States and then with GRULAC (the Latin American and Caribbean countries group). We explained our consistent position on the exceptions and limitations debate: namely that the current copyright framework already provides adequate flexibility and balance to allow for well-crafted national laws, and therefore no international instrument is required.

With our unusually large contingent at this SCCR, the IPA team was able to attend a number of simultaneous meetings today, even before the SCCR morning session began. Some of us were at the meeting convened by WIPO to come up with a set of non-binding principles relating to the functioning of Collective Management Organisations; while others attended a high-level briefing by the USA delegation; and still others were at a joint meeting of the so-called Group B (developed) countries and the Central European and Baltic States (CEBS) group. The IPA was joined by other Creative Sector Organisations for the latter. These meetings are essential opportunities for dialogue but this morning the Members States were mostly playing it safe and giving very little away.

When the SCCR proper finally got under way at 10:00am, we immediately started discussing exceptions and limitations for libraries, archives and education, including in particular draft Action Plans that had been prepared by the WIPO Secretariat. A good summary of all the plans is provided by the website IP Watch here. The IPA intervened on the draft Action Plan through our representative at the SCCR, Ted Shapiro, who is a Partner and Head of the Brussels Office of the law firm Wiggin. Ted said:

‘We would like to reiterate our view that the current international legal framework provides ample flexibility for Member States to enact exceptions and limitations consistent with their own legal traditions. It goes without saying that exceptions and limitations, which are legal defences to what are otherwise infringements of copyright, have a profound impact on all rightholders as well as other stakeholders. The Berne Convention/TRIPS/WCT three-step test provides the means for measuring this impact – which is why it is applied internationally and nationally both by legislatures and courts.

We believe that the draft action plan, while some details may need further clarification, provides a useful basis for a number of activities that could support exchange of info and capacity building that can inform countries — including, in particular, developing nations — in their efforts to ensure balanced national copyright laws consistent with the international framework. The IPA stands ready to participate in conferences and provide both legal and commercial experts to assist.

Peace love and copyright.’

The second day of SCCR 35 began with the now traditional ‘informal’ meeting of the Creative Sector Organisations (CSO) group, which the IPA coordinates with Benoît Müller (former IPA Secretary General and now consultant to the International Video Federation and Motion Picture Association). This meeting took place on the 13th floor of the ‘old’ WIPO building with sweeping views of the Jura Mountains on one side, and of Lake Geneva and the Alps on the other.

SCCR 35 opened on a windy but bright Monday morning at the WIPO offices in Geneva, Switzerland. In his introductory speech, WIPO Director-General Francis Gurry addressed the importance of multilateralism in a time when politicians’ perspectives are increasingly shifting from the international arena to a predominantly national orientation.

Earlier this month I visited New Delhi for the first time, to discuss with our Federation of Indian Publishers (FIP) colleagues the preparations for the 32nd IPA Congress, on 10-14 February, 2018. 

Occasionally, copyright and the rights of disabled people are framed as somehow incompatible—as though the former may preclude the latter—but to my mind these rights are definitely not mutually exclusive.

And so ends another SCCR marathon: hundreds of delegates locked in some 40 hours of discussion over five days; only God knows how many mini-sandwiches, cups of undrinkable coffee and MBs of data have been consumed.

The IPA put in a strong showing this time. For the first time ever the IPA delegation included its President (elect) and the Chair of the copyright committee. Add to that the Secretary General, our razor-sharp legal counsel and, well, me, and we were a distinctly visible presence in the crowd.

Having been wrapped in the copyright bubble since Monday and talked of little else between the hours of 9am and 7pm, I get a sense that there has been a definite shift in humour.

Frustration and possibly a vague embarrassment over the impasse has peaked and is spurring the chamber to action on the broadcasters treaty; the inside track is that a diplomatic conference may be announced as early as SCCR 34, from 1-5 May 2017.

Here's Carlo Scollo Lavizzari to tell you how he thinks it went:

The IPA team joined a US delegation breakfast briefing this morning, high up on the 13th floor. A superstitious person may have hesitated to attend, but this was a golden chance of valuable face time with some key SCCR influencers. At the table were stakeholders from all sides of the copyright debate: policy makers, consumer groups, librarians, lawyers and NGOs.

As the world of international diplomacy hastily manoeuvres ahead of the looming Trump Era, delegates congregated at the World Intellectual Property Organization in Geneva this morning for the 33rd meeting of its Standing Committee on Copyright and Related Rights (SCCR 33).

Oh Google! You’ve done it again! You have taken a good idea—one that could help creativity–and once again blotted your copybook by antagonizing the creative community you profess to serve. Yet again you have turned a blind eye to the rights of writers and creators to serve your own ends, all in the name of “progress”.

The Geneva-based World Intellectual Property (WIPO) has now closed its 56th Assemblies of the Member States, which took an interim look at various areas of strategic interest to publishers.

The morning began with an alarming rumour circulating that today’s session might spill over into a dreaded 'late-nighter'. Was this the curse of Friday 13th?

Two hot potatoes in particular injected extra vim into the SCCR discussion today, drawing parties on either side of the copyright fence into an exchange of views that, had we been in a pub and not at WIPO, might have led to indecorous behaviour from some.

A collective sigh of relief was heaved here at WIPO this morning when, at last, the broadcasting talk wrapped up.

As the SCCR delegates resumed their Sisyphean effort to define the terms underpinning the long-awaited WIPO broadcast treaty this morning, the glaring paradox at the heart of the process became apparent.

WIPO Director General Francis Gurry fired the starting gun on the 32nd Standing Committee on Copyright and Related Rights (SCCR), today, urging the participants to agree on the elusive broadcasting treaty, which has lain on the table since 1996.

This week, the WIPO Standing Committee on Copyright and Related Rights (SCCR) will meet for the 32nd time, in Geneva, to debate several copyright issues that will have a direct impact on the global publishing industry.